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‘The Dutchman’ Review: André Holland Goes on a Psychosexual Dark Night of the Soul in Contemporary Spin on ’60s Race Play

Director Andre Gaines shifts playwright Amiri Baraka’s 1964 Civil Rights Era critique to present-day New York City.

from Film – IndieWire https://ift.tt/PsdQfCu

‘The Last Day’ Review: Alicia Vikander Leads This ‘Mrs. Dalloway’ Interpretation, but Victoria Pedretti’s Performance Steals the Show

Tribeca: Rachel Rose’s directorial debut puts a modern spin on Virginia Woolf’s classic novel, centering on two women who navigate motherhoo...

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