‘The Bride!’ Review: Maggie Gyllenhaal Graverobs Mary Shelley for a Wokified, ‘Joker’-fied Folie-à-Deux Zonked on Its Own Rage

Jessie Buckley's anguished scream of a performance can't sustain an ambitious feminist opera that feels unintentionally, conspicuously tailor-made to align with Warner Bros.' neighboring DC properties.

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