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James Mangold Wanted to Avoid the ‘Laugh Track Version’ of Concert Scenes for ‘A Complete Unknown’

The director tells IndieWire how he approached depicting the audience's reaction to the seminal moment when Bob Dylan went electric.

from Film – IndieWire https://ift.tt/ksQi0zH

‘The Last Day’ Review: Alicia Vikander Leads This ‘Mrs. Dalloway’ Interpretation, but Victoria Pedretti’s Performance Steals the Show

Tribeca: Rachel Rose’s directorial debut puts a modern spin on Virginia Woolf’s classic novel, centering on two women who navigate motherhoo...

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